Site Part 2 – site inspection
On Monday the 16th March, after leaving my camera at someone else’s house, twice, I was finally able to get out in the spring air and do a site survey of the area of Sugarwell Hill that interests me. Having gathered a lot of pictures of the available material, it soon becomes clear that there is a lot of rubbish on the site. My idea of a little peninsula of nature protruding into our urban domain is a romanticisation, and what’s really happening is an ongoing battle between nature and the endless tide of rubbish left by almost anyone that has anything to do with the place. it is the tragedy of the commons played out in the real world. lets look at some of that rubbish first before we go any further:
lots of this, some of it’s mirrored
lots of the usual rubbish, ie drinks containers and junk food wrappers
as well as plentiful evidence of the beverage of choice for the socially immobile
Fly tipping is not a passtime for drunken entomologists by the way
There’s a real sadness about this, lost memories, and a bunch of questions: what happened? where are they now? doesn’t someone want this back?
one of the reasons for being here is to investigate the possibility of using on site materials for creative purposes. and already i see a potential picture frame
or perhaps something to display that coveted Duchamp sketch
also plenty of pallette’s (see what i did there – art supplies geddit?!)
also known as the ‘poor mans futon’
however there’s still something for the more conventional ‘derelichte’
actually, while we’re here, nice recursion
something from our ‘ready to wear’ line
in the automobile category we have at least three different car wheels
as well as hub caps
a liscence plate
and another unrelated plate
another wheel, of a different kind
something for that added spark
and so on
and so on
and then we get to the problem with plastic which is that it ends up everywhere
or this bit, whatever it is
in fact it’s the rubbish adding all the colour round here
and what the hell is this?
and is it any relation to this guy
He’d better be careful, it’s not safe to play around here
and so we come to one of the most difficult aspects of dealing with the site
besides the rubbish being bad for the environment and making the place unsightly, it’s also dangerous to handle.
By the time i had finished surveying the site and recording all the details (full set can be viewed here) it became apparent that the number one resource would be junk and reclaimed materials. It also became apparent that the most interesting and relevant story here is the untold one, the global one, of overwhelming pollution. So for me the brief has now concentrated down to ‘how can i use the rubbish of the site to tell people a story that addresses the problem, in a way that lets them know how special this place is’
at the moment i’m torn between to figurative sculptures, one where a little wickerman, animated by the sugar well, fights with a trash monster in a battle to the death, and one where it’s just the trash monster (again mythologically animated by the supernatural force of the sugar well), possibly watering a bunch of daffodils. the reasons for doing this are:
easily available materials
materials don’t require special treatment, ie painting. they tell the story
doesn’t matter if the sculpture is destroyed – it’s going to have to be ephemeral and in all likelihood whatever goes up there will almost certainly be reduced to cinders overnight simply for not being ‘normal’
the matter seems to affect me as much as it does the ecology of the site. i feel the connection and the desire to do something coupled with the frustration of being just one person. i am hoping that while making trash into a sculpture doesn’t solve the problem, maybe it will highlight in such a way as to bring it to the attention of those who can deal with it
so there are my researches and outcomes of the research. and if your very good, i might tell you the story of the trash monster. but that kids, is for another day…
Chilling out
On Sunday the 1st of february it snowed and carried on snowing into the night. It was the start of the ‘big freeze’ – an ordinary period of snowfall that sent the media into a minor frenzy. I was there and i can speak from experience and i’ve got the pictures to prove it, and I know this may be a heresy, but it wasn’t that bad imho. I went out at in the wee small hours and caught some nice snaps for a pano or two. It was also a good oppurtunity to try out a little experiment with something I saw on the internet but can’t find now.
This is a sort of triple threat post as well, because it covers the chance aspect of the snow, the panoramic photo’s, sugarwell hill and the ‘Site’ project, and a sort of impromptu anamorphic illusion:
Snow prints are made by gently but firmly pressing yourself (or anything else i guess) against the snow so that it forms a 3D negative. most people, when presented with a decent 3D negative in the right light, will see the indent as an emboss, so to speak, and the face (or whatever) will appear real. In the yellowing light of a city awash with the diffuse light of snow reflected sodium bulbs these didn’t look particularly impressive, but the flash really pics them out in detail and gives you a better idea of how good the print is.
These have taken a while to publish ’cause I’m still not entirely happy with the sugarwell panorama at large scales:
On my way back home i stopped at a nearby junction to catch it at it’s most tranquil:
a quick run through ‘polar co-ordinates’ gives us this:
coming soon: Little planets tutorial and, by popular demand, an RSS tutorial.


































